History of the motion picture in the contemporary era. Fall.ģ351 CINEMA HISTORY 2 A required course for majors in digital filmmaking. Lectures, readings, discussions and screenings. Topics discussed include the origin of the movies, the acquisition of sound and color, the development of the studio system, as well as trends, movements, and influences. The course is international in scope with attention paid to major contributions to cinema from several countries. The events are presented chronologically with screenings of representative films from each decade. History of the motion picture in the silent and early sound era. Fall, spring, summer.ģ350 CINEMA HISTORY 1 A required course for majors in digital filmmaking. Enrollment requires the consent of the faculty supervisor (3 hrs). Because there are no scheduled class meetings, students will work independently in consultation with a faculty supervisor. Fall, spring, summer.ģ322 DIRECTED STUDY IN DIGITAL FILMMAKING Students will engage in a digital filmmaking project or course of study of their own creation. Internships require 120 work-experience hours to be completed and verified. Successful internships will expose students directly to professional camera work, editing, writing, producing, and/or sound recording and design, a well as allow students to develop potential career contacts and strengthen his or her resume (3 hrs.). Spring.ģ321 DIGITAL FILMMAKING INTERNSHIP Internships provide qualified students an opportunity to integrate professional experience in the filmmaking industry with traditional academic study. Topics include history, aesthetics, techniques, and technical aspects of editing. On demand.ģ320 FILM EDITING This is a project-oriented lecture course in non-linear film editing, with an emphasis on classical, continuity editing as a storytelling device. Lectures, readings, discussions, and screenings. The course is a historical account of theoretical writings about film from the mid-twentieth century to the present, including semiotic, psychoanalytic, Marxist, feminist, and cognitive theories of film. ģ316 FILM THEORY SINCE 1960 An elective for majors in digital filmmaking. The course will consider the questions early film theorists asked about the (then) new art form as well as what they offered as answers to their questions. ![]() A survey of the literature and films associated with what is now considered the classical era of film theory (1916-1958). On demand.ģ315 CLASSICAL FILM THEORY A required course for majors in digital filmmaking. Topics include creative approaches to composition, lighting techniques, digital cinema workflows and color grading. This course expands students’ understanding of visual storytelling through cinematography. On demand.ģ310 CINEMATOGRAPHY An elective course for digital filmmaking majors and minors. Students are introduced to the impact scenery, light, costume, elements and props have in a completely designed production. Topics include understanding basic visual components, the design process, visualization techniques, implementing scenery and costumes, and the profession of designer. The course introduces students to production design and art direction for digital filmmaking. ![]() Fall, spring.ģ305 PRODUCTION DESIGN An elective course for digital filmmaking majors and minors. Techniques of digital video production, terminology, and operation of digital video cameras, lenses, lighting, audio recording, and digital editing. Fall, spring.Ģ466 DIGITAL FILMMAKING 1 A required course for digital filmmaking majors. ![]() Character creation and motivation are also addressed. The course covers analysis, formatting, structure, and construction of the motion picture treatment and screenplay from scene to act level. Fall, spring.Ģ310 SCRIPT ANALYSIS A required course for digital filmmaking majors. Examines both the theory and practice of filmmaking. ![]() Promotes understanding and appreciation of the art of cinema through study of film style, film history, film genres, and the cultural impact of films. Prerequisite: FILM 1305.Ģ300 FILM APPRECIATION General education curriculum option for the fine arts requirement. The course introduces students to filmmaking fundamentals of visual storytelling, storyboarding, visual design, and best practices using digital filmmaking technology. Fall, spring.ġ310 INTRODUCTION TO VISUAL STORYTELLING A required course for majors and minors in digital filmmaking. The course introduces students to basic concepts of cinematic form and genre stylistic techniques of mise-en-scene, cinematography, editing, and sound and aesthetic consideration of form, genre, and style. Return to Mass Communication and Theatre | Courses Index Courses in Digital Filmmaking (FILM)ġ305 INTRODUCTION TO FILM A required course for majors in digital filmmaking and a prerequisite for all Digital Filmmaking courses.
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